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Showing posts with label Greenwich Village. Show all posts
Showing posts with label Greenwich Village. Show all posts

Wednesday, September 4, 2019

Greenwich Village: Today and Yesterday

Eighth Street, ca. 1945, by Berenice Abbott

Seventy years ago, photographer Berenice Abbott and writer Henry Lanier published Greenwich Village: Yesterday and Today, a book that was one part photographic portrait of the neighborhood, one part history, and one part (quasi) walking tour.

Earlier this summer, James headed out with a copy of the book to see how much of Lanier and Abbott's neighborhood still exists. The results were published today by Curbed NY and can be read at 


Abbott's photos, while not as famous as those she took in the 1930s for Changing New York, capture the Village on the cusp of change. As James notes in the article, many of the places Abbott photographed were already on the verge of closing when she captured the images. Some of the Abbott photos that weren't reproduced in the story are included below.

The Lafayette Hotel, ca. 1945, by Berenice Abbott

Edward Hopper in his studio, ca. 1945-48, by Berenice Abbott

Children playing in Washington Square Park, ca. 1945, by Berenice Abbott

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Thursday, April 18, 2019

Some Spring Updates from Michelle and James

Spring Updates from

Michelle and James Nevius


Two new articles by James Nevius:


Recently, James had two interesting stories published on the architectural history of the New York.

In Curbed New York, he authored a history of the Grand Hyatt Hotel (formerly the Commodore) next to Grand Central Terminal. The hotel opened a century ago and is now slated for demolition. James chronicles the various twists and turns in the story, including Donald Trump's mid-1970s "rescue" of the hotel.

Then, in The New York Post, James took a look at the history of tin ceilings, which were once common not just in the New York but around the country.

ITALIANS IN GREENWICH VILLAGE
sponsored by the Merchant's House Museum and Village Preservation
TUESDAY, JUNE 18, at 6:00PM


After the Civil War, hundreds of thousands of Italian immigrants came to America, most of them making New York City their first stop. While the Lower East Side and Little Italy are well-known for their immigrant history, many may not remember that the area south of Washington Square was one of the most densely populated Italian precincts in the country.

This illustrated presentation will look at how the Village came to be separated into a wealthier area north and west of Washington Square and a more working-class neighborhood to the south and east. We’ll look at who paved the way for Italians in the district and talk about the importance of holding on to the Italian places that still exist in the area -- RIP Trattoria Spaghetto -- so as to preserve this heritage.

TICKETS ARE FREE BUT ARE CURRENTLY SOLD OUT























Thursday, January 24, 2019

Thought I'd Seen Some Ups and Downs: Bob Dylan Arrives in Greenwich Village


Ramblin' outa the wild West,
Leavin' the towns I love the best.
Thought I'd seen some ups and down,
‘Til I come into New York town.
People goin' down to the ground,
Buildings goin' up to the sky.

-- Bob Dylan, Talkin’ New York

As we've blogged about before, Bob Dylan -- Nobel Laureate and towering figure in American popular music -- arrived in Greenwich Village either on January 23 or 24, 1961.

As we write in Footprints in New York, Dylan
grew up in the tight-knit Jewish community in Hibbing, his mother’s hometown. After graduating high school in 1959, he enrolled at the University of Minnesota but only lasted one year. While he was there, he tapped into the burgeoning folk scene and began consistently using the stage name Bob Dylan. Having been a rock and roller, Dylan’s musical trajectory changed around this time when he was introduced to the music of Woody Guthrie, which, in Dylan’s words, “made my head spin.” 
In January 1961, he arrived in New York City determined to do two things: perform in Greenwich Village, the center of America’s folk music revival, and meet Woody Guthrie. By the end of his first week, he’d done both. Dylan probably got to the city January 23, the day the front page of the New York Times proclaimed it the “coldest winter in seventeen years,” a line Dylan would borrow for one of his earliest compositions, “Talkin’ New York.” In No Direction Home, Martin Scorsese’s documentary on Dylan’s early career, the singer remembers that first day: “I took the subway down to the Village. I went to the Cafe Wha?, I looked out at the crowd, and I most likely asked from the stage ‘Does anybody know where a couple of people could stay tonight?’” 
Dylan joins Karen Dalton and Fred Neil onstage at Cafe Wha? in 1961

Singer-songwriter Fred Neil presided over the bar’s eclectic all-day lineup. Dylan showed his chops by backing up Neil and singer Karen Dalton on the harmonica and was hired to “blow my lungs out for a dollar a day.” 
Immersing himself in the music scene, Dylan soaked up everything he heard, from live acts in the bars and coffee houses south of Washington Square to the records he’d spin at Izzy Young’s Folklore Center down the street from Cafe Wha?. In the meantime he continued to embellish his back story. In No Direction Home, Izzy Young recalls Dylan telling him, “I was born in Duluth, Minnesota, in 1941, moved to Gallup, New Mexico; then until now lived in Iowa, South Dakota, Kansas, North Dakota (for a little bit). Started playing in carnivals when I was fourteen, with guitar and piano. . . .” 
Later, newspapers picked up the fake biography, writing about the cowboy singer from Gallup. Stretching all the way back to the city’s Dutch pioneers, people have come to New York to reinvent themselves, to cast off their old identities and strike out in new directions. Dylan’s fanciful back story may have been an extreme case, but it was effective.

 

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Wednesday, September 12, 2018

Postcard Thursday: The Death of General Wolfe

The Death of General Wolfe by Benjamin West.

On September 13, 1759, Major-General James Wolfe died during the Siege of Quebec in the French and Indian War (aka the Seven Years War). Wolfe's heroic victory won the war for Britain, allowing it to seize most of Atlantic Canada, and made Wolfe both a martyr to the cause and an instant celebrity.

The most famous commemoration of Wolfe's death on the Plains of Abraham is Benjamin West's painting (above), now in the National Gallery of Canada. But New York had its own memorial to General Wolfe, an obelisk that was erected in Greenwich Village at the end of what came to be known as "Obelisk Lane" or "Monument Lane."

The General Wolfe monument at Stowe.

Very little is known about the memorial. Some think that it was based on a similar obelisk erected in Stowe in Buckinghamshire, England, by Lord Temple, which still stands today. But this is just speculation. Indeed, if it weren't for a few old memoirs and a couple of maps, we wouldn't know that the monument existed at all.

Montressor Map, ca. 1765-1766.

The obelisk was likely erected soon after Wolfe's death, probably in 1762 by Robert Monckton. Monckton was Wolfe's second in command at Quebec and in 1762 he became royal governor of the Province of New York. He lived in Greenwich Village, in a house owned by Admiral Peter Warren, which stood only a few minutes walk from the monument.

The obelisk appears on the Montressor map of 1765-66, where a "Road to the Obelisk" leads to a spot just east of Oliver De Lancey's farm marked "Obelisk Erected to the Memory of General Wolf [sic] and Others."

The Ratzer Plan, ca. 1766-77
The Ratzer Plan of the city -- issued in 1766 or 1777 -- shows a similar road, calling it "The Monument Lane." If you are familiar with this part of Greenwich VIllage, that lane is now Greenwich Avenue, which runs northwest from Sixth Avenue just south of Christopher Street. However, many other small streets in the Village were once considered part of the lane. As the American Scenic and Historic Preservation Society wrote in their annual report of 1914:
Monument Lane began at the present Fourth Avenue and Astor Place and ran westward along the present Astor Place; thence to Washington Square North about 100 feet west of Fifth Avenue, where it crossed a brook called at various times Minetta Brook, Bestevaer's Kill, etc.; thence to the present Sixth Avenue and Greenwich Lane; thence along the present Greenwich Lane to Eighth Avenue between Thirteenth and Fourteenth Streets, where it intersected the now obsolete Southampton Road; thence northward about 150 or 200 feet farther, where it terminated at the Monument.
Tracing those roads today, it seems likely that the road probably incorporated what today is Washington Mews and MacDougal Alley, just north of Washington Square, roads that have long been thought to be Native American trails. Indeed, it would not be at all surprising to discover that all of Monument Lane existed long before Europeans settled the area that would come to be known as Greenwich Village.

No one is entirely sure when the monument to General Wolfe was taken down and by whom, but by the time the next map of Manhattan was drawn, ca. 1773, the monument is gone and references to Monument Lane disappear soon thereafter. Some speculate that Oliver De Lancey, a loyalist, destroyed the monument when his lands were confiscated by the Americans after the war, but it seems more likely that the obelisk was already long gone by that time.

(This post was adapted and updated from an earlier blog entry.)


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Thursday, July 26, 2018

Postcard Thursday: Poe's Lost Home

There's a story in the newly revamped Gothamist/WNYC today about the efforts to have Walt Whitman's sole remaining New York City home landmarked.

(You can read it at http://gothamist.com/2018/07/26/walt_whitman_brooklyn_home.php)


This brings to mind the similar efforts to save Edgar Allan Poe's only Manhattan home, a townhouse at 85 Amity Street (today's West 3rd Street) in Greenwich Village. Today that same block houses the Poe Study Center, but that building isn't Poe's original home.

As we write in Footprints in New York:
The Poes lived nine places in the city, seven of them in just a two-year period.... Having published “The Raven” in the New York Evening Mirror in January 1845, Poe set to work at 85 Amity Street revising the poem for The Raven and Other Poems, published that November. He also began his series “Literati of New York City” while residing at 85 Amity, and may have written the bulk of “The Cask of Amontillado” at the boardinghouse too.
By the dawn of the twenty-first century this was the only Poe home in Manhattan still standing. With that in mind, it’s logical to assume it would have merited at least some consideration by the Landmarks Preservation Commission. But in 2000, the commission declined to even hold a hearing. On one hand, this seemed ironic—back in 1969, when creating the Greenwich Village Historic District, the commissioners cited Poe as one of the literary figures whose residence made the neighborhood historically important. Yet, at that time, they had not extended the landmark district’s boundaries the one block necessary to include the Poe house. Three decades later, the commission was not going to raise NYU’s considerably powerful ire by revisiting that decision. Not everyone agreed that the house was worth saving. Kenneth Silverman, a Poe scholar employed by NYU, pointed out that the building had been so significantly altered since 1845 that Poe wouldn’t even recognize it as his own home. He had a point: The stoop had been removed, and the lower floors turned into commercial space. Arched window frames replaced the Greek Revival originals; an incongruous tiled awning jutted out between the second and third stories. 
85 Amity Street (left) and the Poe Study Center (right); courtesy of the New York Preservation Archive Project

What’s more maddening than the Landmarks Preservation Commission’s decision—or, more accurately, their abdication from making a decision—is what NYU did next. In an eleventh-hour move to placate the community, they agreed to rebuild the facade of Poe’s house as part of the new building, install the home’s staircase inside, and provide a room for Poe readings and events. No one was ecstatic about this, but it was better than nothing. 
Instead, what people got was worse than nothing. The scaffolding came down...in October 2003 to reveal an ersatz Poe home. Nothing had been preserved; nothing had been rebuilt. It wasn’t even in the right spot. 
“Unfortunately, there was not enough of the original bricks to use on the full facade,” an NYU associate dean told the New York Times. “What we did instead was save a portion of them, and put a panel inside the room of the original bricks.”
If what happened to Poe house happens to Walt Whitman's Brooklyn home, we may find in the future that the original structure has been torn down and some simulacrum put in its place to note the historic importance of the spot. Is this sort of commemoration useful or necessary? That's a deeper question that preservationists and historians have been grappling with for centuries.


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Thursday, July 12, 2018

Postcard Thursday: Depicting the Hamilton-Burr Duel


On July 12, 1804, Alexander Hamilton died at his friend William Bayard's home on Jane Street, having been shot the day before by Aaron Burr in Weehawken, New Jersey.

Over the years, numerous illustrations have shown the dramatic moment of the duel when Burr shot Hamilton:









What all of these illustrations have in common is that all of them are wrong. While there were other people present at the duel, there were no witnesses. As we write in Footprints in New York, Hamilton and Burr
arrived in Weehawken about a half an hour apart. Burr and his party got there first and began clearing the dueling grounds. Hamilton, Nathaniel Pendleton, and David Hosack, a physician, arrived around seven in the morning. By prearrangement, the seconds were to keep their backs turned away from Hamilton and Burr. Since dueling was illegal, this would give them the chance, if questioned, to say they hadn’t seen anything. 
Hamilton, as the challenged, had brought the pistols, and he was given the choice of his weapon. Hamilton took his time getting into position. He cleaned his glasses. He repeatedly tested his aim. Was this a show of nerves—or was he trying to provoke Burr? The pistols belonged to Hamilton’s brother-in-law, and he may have had the opportunity to practice with them. Did that give him an unfair advantage? Even if it did, it turned out not to matter.
Hamilton fired first. His bullet flew above Burr’s head, lodging in a cedar tree. 
Then Burr fired. His aim was true, and his shot lodged in Hamilton’s spine, having first lacerated his liver.
Notice that in every picture of the duel, the seconds are looking on helplessly. If the custom of the day was followed, their backs would have been turned.

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Thursday, May 24, 2018

Postcard Thursday: Bob Dylan's Birthday

Image result for bob dylan 1960

Happy 77th Birthday to Nobel laureate Bob Dylan, who was born May 24, 1941, in Duluth Minnesota. His birth name was Robert Zimmerman, and, as we write in Footprints in New York:
he grew up in the tight-knit Jewish community in Hibbing, his mother’s hometown. After graduating high school in 1959, he enrolled at the University of Minnesota but only lasted one year. While he was there, he tapped into the burgeoning folk scene and began consistently using the stage name Bob Dylan. Having been a rock and roller, Dylan’s musical trajectory changed around this time when he was introduced to the music of Woody Guthrie, which, in Dylan’s words, “made my head spin.” 
In January 1961, he arrived in New York City determined to do two things: perform in Greenwich Village, the center of America’s folk music revival, and meet Woody Guthrie. By the end of his first week, he’d done both. Dylan probably got to the city January 23, the day the front page of the New York Times proclaimed it the “coldest winter in seventeen years,” a line Dylan would borrow for one of his earliest compositions, “Talkin’ New York.” In No Direction Home, Martin Scorsese’s documentary on Dylan’s early career, the singer remembers that first day: “I took the subway down to the Village. I went to the Cafe Wha?, I looked out at the crowd, and I most likely asked from the stage ‘Does anybody know where a couple of people could stay tonight?’” 
Singer-songwriter Fred Neil presided over the bar’s eclectic all-day lineup. Dylan showed his chops by backing up Neil and singer Karen Dalton on the harmonica and was hired to “blow my lungs out for a dollar a day.” 
Immersing himself in the music scene, Dylan soaked up everything he heard, from live acts in the bars and coffee houses south of Washington Square to the records he’d spin at Izzy Young’s Folklore Center down the street from Cafe Wha?. In the meantime he continued to embellish his back story. In No Direction Home, Izzy Young recalls Dylan telling him, “I was born in Duluth, Minnesota, in 1941, moved to Gallup, New Mexico; then until now lived in Iowa, South Dakota, Kansas, North Dakota (for a little bit). Started playing in carnivals when I was fourteen, with guitar and piano. . . .” 
Later, newspapers picked up the fake biography, writing about the cowboy singer from Gallup. Stretching all the way back to the city’s Dutch pioneers, people have come to New York to reinvent themselves, to cast off their old identities and strike out in new directions. Dylan’s fanciful back story may have been an extreme case, but it was effective.
Today, Dylan's career shows no sign of slowing down. In 2016, he was awarded the Nobel Prize for Literature, becoming the first musician to be given the honor. In 2017, he released Triplicate, a triple album of standards, many of which had been recorded by Frank Sinatra. And he continues to tour regularly, with a swing through Asia, Australia, and New Zealand coming up this summer.

This summer we'll conduct a tour of Bob Dylan's New York -- watch this blog for details.

In other news, our blog recently had its millionth visitor. Thank you all so much for your support!




Thursday, February 22, 2018

Postcard Thursday: 1868



In 1868 -- one hundred and fifty years ago -- the department store James McCreery and Co. opened at the corner of Broadway and 11th Street. While the city had been expanding northward since the layout of the famous grid in 1811, that growth had always been slow, and for many people, Greenwich Village remained the hub of the city. The stretch of Broadway that James McCreery picked for his new store, across the street from Grace Church, had tremendous curb appeal.

James wrote a piece for The New York Post about 1868 real estate that appeared in today's paper. Since the early 1970s, McCreery's has been an apartment building, and James looks at it and other homes in the Village -- and around the city -- that are currently on the market.

You can read the story at https://nypost.com/2018/02/21/the-year-that-changed-new-york-city-real-estate/.

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Thursday, September 28, 2017

Postcard Thursday: The 1973 ITT Bombing



In the early morning hours of September 28, 1973, a bomb exploded at the ITT (International Telephone and Telegraph) Building at 437 Madison Avenue. A few minutes before the explosion, a caller who identified himself as a member of the Weather Underground phoned to warn the company of the bomb and to let them know it was a protest against ITT's role in the coup earlier that year in Chile.

No one was injured, though that was not normally the case with Weather Underground bombings. Since 1969, a series of robberies, bombings, and "National Actions" by the Weathermen, as they came to be known, had targeted what the members saw as corrupt government practices. In 1970 alone, there had been over 25 bombings or attempted attacks, many of them in New York City. Perhaps most famously, on March 6, 1970, the townhouse on West 11th Street that Weathermen were using as a bomb factory blew up, killing three of the bomb makers. (Kathy Boudin and Cathy Wilkerson would escape, becoming fugitives.)

That Greenwich Village explosion did not set the Weather Underground back; in fact, bombings increased. On June 9, 1970, the New York City Police Headquarters was bombed; on March 1, 1971, the Weathermen placed an explosive device in the US Capitol to protest US military action in Laos; on May 19, 1972 (Ho Chi Minh's birthday), the Pentagon was attacked -- and these were just the most high-profile cases.

ITT had been founded in 1920 after the purchase of telephone interests in Puerto Rico and Cuba. The company expanded greatly over the next fifty years, but continued to have a strong Latin and South American presence, including owning 70% of the Chilean telephone company. Alarmed at Salvador Allende's government (and likely facing the loss of the monopoly on Chilean communications), the company helped finance Pinochet's military coup. In retaliation, the Weather Underground bombed both 437 Madison (a 1967 skyscraper by Emory Roth and Sons) and ITT's headquarters in Rome, Italy.

You can read more about the bombing at https://nyti.ms/2fAPsJA.

By 1976, the Weather Underground had reorganized and most violent actions stopped, though Kathy Boudin -- who had fled the 1970 Greenwich Village townhouse explosion -- was part of the 1981 Brinks truck robbery at the Nanuet Mall near Nyack, New York in which two police officers and a security guard were murdered. Paroled in 2003, Boudin now teaches at Columbia University's School of Social Work.

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Thursday, August 31, 2017

Postcard Thursday: Carriage Houses


Once upon a time, the only wheeled mode of transport around New York City was via horse and carriage. But what happened to all the stables that once housed those four-legged forerunners to the automobile? James looks at that question in the Home section of today's New York Post -- read the whole story at:

http://nypost.com/2017/08/30/the-fascinating-history-behind-nycs-stables-turned-real-estate/

(And get caught up on his travel/real estate pieces at http://nypost.com/author/james-nevius/)

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Have you signed up for our Walking Tour of the northern section of Central Park on September 10th?

Click on last week's blog post (here: http://blog.insidetheapple.net/2017/08/postcard-thursday-walking-tour-in.html) for all the details -- there are a few spots left!


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