Home   |  Order  |  Tours  |  The Blog  |  Appearances  |  About Us  |  Press  |  Contact Us/Join our Mailing List


COMING APRIL 15th

Footprints in New York: Tracing the Lives of Four Centuries of New Yorkers.

Check out our new book online at www.footprintsinnewyork.com.

Friday, January 23, 2009

Bob Dylan Arrives in Greenwich Village: January 24, 1961

Ramblin' outa the wild West,
Leavin' the towns I love the best.
Thought I'd seen some ups and down,
‘Til I come into New York town.
People goin' down to the ground,
Buildings goin' up to the sky.

--Bob Dylan, Talkin’ New York

Though specific dates are hard to pin down in the early life of Bob Dylan, it seems likely that tomorrow, January 24, marks the 48th anniversary of the singer’s arrival in New York City. Though he would often tell people he’d hopped a freight train, the truth is that he’d arrived from Minnesota in a 1957 Impala.

Knowing that Greenwich Village was the center of the burgeoning folk scene, he immediately headed to MacDougal Street and sometime on January 24, 1961, or one of the next few days, ended up on stage at Café Wha?, which is one of the few clubs from Dylan’s earliest period that still remains in operation.

In those days, the afternoon sets at Café Wha were presided over by Fred Neil—best known today as the author of the Harry Nilsson’s hit song Everybody’s Talkin’—who both performed his own material and booked other acts. On his first day performing, Dylan accompanied Neil and Karen Dalton on harmonica. One early set—perhaps even that first day—was captured by Village Voice photographer Fred McDarrah:


(Karen Dalton—even less remembered today than Fred Neil—was a popular presence on the Greenwich Village folk scene. She released two albums in the late ’60s and early ’70s before fading from public view. Dalton died in 1993 and Neil in 2001. You can hear Dalton performing It Hurts Me, Too, on YouTube.)

If you wish to go to the Village to celebrate Dylan and his impact on American music, you can stop by Café Wha (which is across the street from Minetta Tavern), but most of the other haunts where Dylan fine-tuned his act are gone. The Gaslight (where Dylan recorded the recently released Live at the Gaslight 1962) was at 114 MacDougal—in the basement—below the space now occupied by Esperanto Café. Across the street where Panchito’s now serves what they claim to be “one of the six best margaritas” in New York was once the Fat Black Pussycat. And perhaps the most famous Dylan venue, Gerde’s Folk City at the corner of West 4th Street and Mercer, was torn down in the early 1970s to make room for the Hebrew Union College.

* * * 

If you are interested in doing a Rock and Roll tour of the city that includes some of these Dylan spots—and many more—we wrote the script for a tour of famous music spots in the East and West Village. The tour, narrated by DJ Ken Dashow, is available for download at www.citylisten.com.


You can also read about Dylan and New York in the 1960s in Inside the Apple, available for pre-order today.

* * *


* * *
To get RSS feeds from this blog, point your reader to this link. Or, to subscribe via email, follow this link.

 

* * *

6 comments:

warrenbarr said...

There is a great version of Dalton ding 'It Hurts Me Too' on YouTube'

Anonymous said...

"specific dates are hard to pin down"............ and so is the math.

January 24, 1961 was 48 years ago

Just kidding.

Nice article.

Voyno says Hi said...

You've made my day. God bless Robbie Zimmerman.

Michelle and James Nevius said...

warrenbarr: Thanks for the tip, we've updated the post to include that link.

Anonymous: Thanks for pointing out our erroneous math; we've updated that, too!

Anonymous said...

i don't think chevy started making the impala until 1958. the 1957 model was the classic bel-air (like the one from eddie and the cruisers) which would have been a cool car to arrive in.

James and Michelle said...

Anonymous: You may be right about the Impala. It's Dylan that refers to it himself as a "'57 Impala" in Chronicles, so we were taking him at his word--which, as you know, can be problematic. But it's Bob, so all is forgiven.

Search This Blog

Loading...

Subscribe via email

Enter your email address:

Delivered by FeedBurner

Blog Archive