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Showing posts with label Calvert Vaux. Show all posts
Showing posts with label Calvert Vaux. Show all posts

Thursday, November 5, 2015

Postcard Thursday: Central Park's Lost Spur Rock Arch


This lovely view of the Bridle Path in Central Park, mailed in 1908, shows one of the few bridges and arches in the park that has been demolished. Called the Spur Rock Arch, it stood where today's Hecksher Playground was later built.

When Calvert Vaux and Frederick Law Olmsted were planning the park's roadways, they incorporated an innovative series of bridges and arches to separate traffic. As we write in Footprints in New York:
Vaux and Olmsted came up with three categories of roadway that they simply called the “Walk” (for pedestrians), the “Ride” (for horseback riding), and the “Drive” (for carriages). All together, there are today about seventy miles of Walk, Ride, and Drive wending through the park. In the master plan, none of these paths ever touched. If the Drive crossed the Walk, a bridge was constructed to pass pedestrian traffic below the carriages. Similarly, the Ride was kept separate from the other paths so that horseback riders would never have to rear up suddenly when confronted with an obstacle.... 
On its face, Vaux and Olmsted’s traffic plan seems eminently practical, but there was more than simple engineering afoot. Since only the wealthiest New Yorkers could afford a carriage or the luxury of horseback riding, the Drive and the Ride were de facto upper-class thoroughfares. In most places, they were kept at a safe remove from the working-class Walk, though some- times the Drive was paralleled by walking paths, presumably so that poorer New Yorkers could see what they were missing—and so that the rich could set a good example.
Alas, the handsome Spur Rock Arch is no more. According to the book Bridges of Central Park,
Spur Rock Arch, sometimes called Oval Arch, was located on the longitude of Seventh Avenue and the latitude of 61st Street.... It was 25 feet long and rose 12-and-a-half feet above the bridle path.... 
The distinctive oval outline of its archway and the S-curve sides were repeated later with different dimensions for Gothic Bridge. The ornament of the spandrels was altogether different although both designs stemmed from the Gothic, with Spur Rock's spandrels filled and braced by large wheels with interior cusping, not unlike some church windows. The supporting members were wrought iron; the more finely drawn decorative members were cast iron.
Spur Rock was demolished because it got in the way of the expansion of the Heckscher Playground. Instead of being incorporated into the playground, Spur Rock, probably looking old-fashioned, rundown and unimportant in 1934, was destroyed.

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Thursday, February 5, 2015

Postcard Thursday: The Evolution of the Metropolitan Museum


We recently added this early 20th-century view of the Metropolitan Museum of Art to our collection. This photo highlights two major additions to the museum's original floorplan: the 1888 Theodore Weston wing (in red at the back) and the Richard Morris Hunt Fifth Avenue entrance (in limestone at the front).

The Weston facade is often mistaken for the original entrance to the building. However, as the photo (below) shows, the squat 1880 Vaux and Mould building that was the original museum had a rather quaint staircase leading up to its main entrance, which in those days faced into Central Park.

courtesy of the Metropolitan Museum of Art
Pieces of this Vaux and Mould building are still visible inside today's museum. The Central Park facade seen here in the left side of the photo is now where the Lehman Wing begins. The Weston addition was designed to harmonize with Vaux and Mould's work. You can judge for yourself by visiting the European Sculpture Court, where Weston's south facade is entirely preserved.

courtesy of the Metropolitan Museum of Art
Hunt's 1902 addition shifted the museum's entrance to Fifth Avenue. Notice in the postcard the blocks of stone atop the colonnade that spans the facade. Those were destined to become large statues that were never carved and the rough-hewn limestone blocks still sit there, unfinished, to this day. Also notice that at the far left of the postcard is Cleopatra's Needle, which was erected in 1881, and has recently been restored.

To see how the museum has grown over the past 135 years, the Met has put together this terrific 38-second video:


(Can't see the video embedded above? Go to http://youtu.be/7oJrJJoTSaI.)

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Explore more NYC history in

If you haven't had a chance to pick up a copy of Footprints yet,
you can order it from your favorite online retailers (AmazonBarnes and Nobleetc.) or

And, of course, Inside the Apple is available at fine bookstores everywhere.








Wednesday, March 24, 2010

Central Park Walking Tour + "Inside the Apple" Book Talk

On Sunday, March 28, at 4:00PM the Borders bookstore at Columbus Circle is sponsoring a walking tour and book signing with us where we'll be talking about the history, architecture, and art of Central Park. We'll be sharing stories from Inside the Apple, which is celebrating its first year in print this week.


We'll meet inside the store (which is on the second floor of the Time Warner Center) over at the special events section. From the store, we'll walk into the park and spend approximately 90 minutes looking at the history of the park, its development in the mid-19th century, and the role that Frederick Law Olmsted and Calvert Vaux's original master plan still plays today. The tour will conclude back at Borders for a question and answer session and book signing.


In order to make sure that tour starts on time, please try to be in Borders by 3:50PM. No reservations are necessary.



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