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Showing posts with label Hans Haacke. Show all posts
Showing posts with label Hans Haacke. Show all posts

Thursday, November 15, 2018

Postcard Thursday: Hans Haacke

Installation view; Whitney Museum of American Art. Photography by Ronald Amstutz

A few years ago, James wrote a story for Curbed about the artist Hans Haacke and one of his most famous artworks, Shapolsky et al. Manhattan Real Estate Holdings, A Real Time Social System, as of May 1, 1971.
This work was one of the controversial pieces that caused Haacke's 1971 solo show at the Guggenheim Museum to be cancelled. As James writes, Haacke
undertook to map out the holdings of prolific real estate investor Harry J. Shapolsky, who at the peak of his career had owned as many as 200 tenements in Harlem, the East Village, and the Lower East Side. Using public records, Haacke painstakingly unearthed the dozens of shell corporations that Shapolsky and his relatives had created to control properties around the city. Haacke then photographed each property and presented his findings—142 buildings in all—as gelatin silver prints, each accompanied by a dossier of facts: the building's address, block and lot number, lot size, and building type. Below that was information on ownership: corporate entity, date of acquisition, cost of the mortgage, the names of which of Shapolsky's associates were involved, and the assessed land value.
That same year, Haacke also researched and created a second piece: Sol Goldman and Alex DiLorenzo Manhattan Real Estate Holdings, a Real-Time Social System, as of May 1, 1971. That piece is now owned by the Tate, but is currently on view at the Met Breuer as part of its exhibition "Everything is Connected: Art and Conspiracy," which is on view at the Met's Madison Avenue outpost through March 31, 2019. As New York spirals toward ever-increased gentrification, Haacke's sobering take on real-estate chicanery are well worth exploring.

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Monday, October 9, 2017

The History of the Bowery; The Fall of a Slumlord


In case you missed it, James had a wonderful story in Curbed this week tracing the history of New York's oldest street, The Bowery. Originally a deer path, the trail was used by subsequent generations of Native Americans and then widened by the Dutch settlers into a road to their farms, or bouwerij. The English corrupted the name to "Bowery" and the street became -- and remains -- a crucial thoroughfare in New York.

Read the entire story at https://ny.curbed.com/2017/10/4/16413696/bowery-nyc-history-lower-east-side.

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Last week, notorious slumlord Steve Croman was sentenced to a year in jail for his shady dealings. James highlighted Croman in his exploration of Hans Haacke's conceptual artwork in a piece he wrote for Curbed back in 2015. You can read that interesting walk through the Lower East Side at https://www.curbed.com/2015/9/2/9924926/hans-haacke-photography-slumlord.



Thursday, September 3, 2015

Photo Thursday: Hans Haacke and the East Village

Installation view of America Is Hard to See (Whitney Museum of American Art, New York, May 1— September 27, 2015): Hans Haacke, Shapolsky, et al. Manhattan Real Estate Holdings, a Real Estate Holdings, a Real-Time Social System, as of May 1 1971, 1971, (2007.148a-gg). Photography by Ronald Amstutz.
In 1971, conceptual artist Hans Haacke produced one of his most enduring works, Shapolsky, et al. Manhattan Real Estate Holdings, a Real Estate Holdings, a Real-Time Social System, as of May 1 1971, a visual critique of Manhattan slumlord Harry Shapolsky.

This summer, James decided to track down the buildings Haacke had photographed to see how the East Village (the main area on which he focused) had changed in the past four decades. The result is "The Artist and the Slumlord: A Photographer's 1970s Quest to Unmask an NYC Real Estate Family," an essay for Curbed's national site that compares buildings in the neighborhood then and now.

538-40 East 11th Street today. Photo by Will Femia.
 Read the full story at http://curbed.com/archives/2015/09/02/hans-haacke-photography-slumlord.php

We'd love to know your thoughts! Comment on the story itself or here on the blog.

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