Happy Birthday, John Sloan

Today marks the 142nd anniversary of the birth of John Sloan, the great Ashcan school painter, who created vivid scenes of life in New York City. Sloan was born in 1871 in Lock Haven, Pennsylvania, and after spending a number of years in Philadelphia, he moved to New York in 1904, settling in Greenwich Village. That same year he participated in a group show of "The Eight" at the National Arts Club on Gramercy Park, an exhibition that thrust him into the limelight and drew critical attention to the Ashcan school's realist art.

Sloan, like his friend George Bellows, painted life as it unfolded around him. Below are just some of his wonderful New York City scenes.

Sunday, Women Drying Their Hair, 1912, courtesy of the Addison Museum of Art.

Sloan exhibited this painting in the famous 1913 Armory Show.

Sixth Avenue Elevated at Third Street, 1928, courtesy of the Whitney Museum of American Art.

Picture Shop Window, 1907, courtesy of the Newark Museum

The Lafayette, 1927, courtesy of the Metropolitan Museum of Art

The Lafayette was a cafe in a hotel on University and Ninth Street where Sloan liked to hang out. Now gone, it was one of the last great literary and artistic meeting places in the Village.

Dust Storm, Fifth Avenue, 1906, courtesy of the Metropolitan Museum of Art

McSorley's Bar, courtesy of the Detroit Institute of Art.

See our earlier blog post about McSorley's Bar here.

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Read more New York City history in

Inside the Apple: A Streetwise History of New York City.

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Twenty-Three Skidoo

Here's another gem from the Inside the Apple archives. This postcard was made in 1908 and shows two birds ("Bird's eye view"--get it?) outside the Flatiron building at Fifth Avenue and Twenty-third Street. Because of the Flatiron's unique shape and its location along a broad crosstown thoroughfare, strong winds swirl near its base. When the building first opened, men used to flock to Madison Square to watch women walking by in the hope that the air currents would sweep up their skirts and reveal a glimpse of stocking.

This is exactly what is depicted in the postcard above: the gentleman in the background is giving a knowing wink as the lady's skirt and petticoats blow up, revealing her ankles. How risque!

In real life, there were a number of police officers posted to the Flatiron to encourage ogling men to move along. One common phrase they employed was "twenty-three skidoo!" Skidoo is a relative of skedaddle and means "to move along" or "go away." The number 23 was long thought to be a reference to the Twenty-Third Street; thus "23 skidoo" meant "stop hanging out on Twenty-Third Street."

However, it turns out that "23" was already a slang term for "get lost" before there was a Flatiron building, cited at least as early as 1899. What seems plausible is that the police wanted to get rid of men in front of the Flatiron, so combined two already existing phrases that each meant scram--"twenty-three" and "skidoo"--into a phrase that had a double meaning. Soon, "23 skidoo" was one of the most popular phrases in America--it is still sometimes employed today, over a century later.

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Read about the building of the Flatiron in Inside the Apple: A Streetwise History of New York City

(Which, by the way, makes an excellent holiday gift -- read all about where to purchase it here.)

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