Postcard Thursday: Rear Views

James has a story in today's New York Post that examines many of the hidden homes in New York City that were once carriage houses, rear tenements, or -- as is the case in the photo above -- an artist's studio and theater.

"Washington Square, New York" (1910) courtesy of the Museum of Fine Arts, Boston

The artist was Everett Shinn, a member of the Ashcan School, who lived and painted in New York starting in the late 1890s. Like many Greenwich Village bohemians of the era, Shinn wasn't content to merely paint and founded a small theatrical company to perform plays he'd written. These melodramas had

titles like “Lucy Moore, the Prune Hater’s Daughter.” Though not home to high art — the New York Times called one participant “the worst actor in the New World” — Shinn’s theater is credited with paving the way for the Off-Off-Broadway theaters of today.

You can read the entire story at https://nypost.com/2019/01/09/back-houses-are-nycs-best-kept-secrets/

* * *

 

Footprints in New York: Tracing the Lives of Four Centuries of New Yorkers

Inside the Apple: A Streetwise History of New York City

Happy Birthday, John Sloan

Today marks the 142nd anniversary of the birth of John Sloan, the great Ashcan school painter, who created vivid scenes of life in New York City. Sloan was born in 1871 in Lock Haven, Pennsylvania, and after spending a number of years in Philadelphia, he moved to New York in 1904, settling in Greenwich Village. That same year he participated in a group show of "The Eight" at the National Arts Club on Gramercy Park, an exhibition that thrust him into the limelight and drew critical attention to the Ashcan school's realist art.

Sloan, like his friend George Bellows, painted life as it unfolded around him. Below are just some of his wonderful New York City scenes.

Sunday, Women Drying Their Hair, 1912, courtesy of the Addison Museum of Art.

Sloan exhibited this painting in the famous 1913 Armory Show.

Sixth Avenue Elevated at Third Street, 1928, courtesy of the Whitney Museum of American Art.

Picture Shop Window, 1907, courtesy of the Newark Museum

The Lafayette, 1927, courtesy of the Metropolitan Museum of Art

The Lafayette was a cafe in a hotel on University and Ninth Street where Sloan liked to hang out. Now gone, it was one of the last great literary and artistic meeting places in the Village.

Dust Storm, Fifth Avenue, 1906, courtesy of the Metropolitan Museum of Art

McSorley's Bar, courtesy of the Detroit Institute of Art.

See our earlier blog post about McSorley's Bar here.

* * * *

Read more New York City history in

Inside the Apple: A Streetwise History of New York City.

To get RSS feeds from this blog, point your reader to this link.

Find us on Facebook.

To subscribe via email, follow this link.
Or, follow us on Twitter.